Science Frontiers
The Unusual & Unexplained

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Science Frontiers is the bimonthly newsletter providing digests of reports that describe scientific anomalies; that is, those observations and facts that challenge prevailing scientific paradigms. Over 2000 Science Frontiers digests have been published since 1976.

These 2,000+ digests represent only the tip of the proverbial iceberg. The Sourcebook Project, which publishes Science Frontiers, also publishes the Catalog of Anomalies, which delves far more deeply into anomalistics and now extends to sixteen volumes, and covers dozens of disciplines.

Over 14,000 volumes of science journals, including all issues of Nature and Science have been examined for reports on anomalies. In this context, the newsletter Science Frontiers is the appetizer and the Catalog of Anomalies is the main course.


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... Science Frontiers ONLINE No. 86: Mar-Apr 1993 Issue Contents Other pages Home Page Science Frontiers Online All Issues This Issue Sourcebook Project Sourcebook Subjects The Acoustics Of Rock Art S. Waller has visited rock art sites in Europe, North America, and Australia. Standing well back from the painted walls, he claps or creates percussion sounds, and records the echos bouncing back. A casual observer might be tempted to call 911. It turns out, though, that rock art seems to be placed intentionally where echos are not only unusually loud but are also related to the pictured subject matter. Where hooved animals are depicted, one easily evokes echos of a running herd. If a person is drawn, the echos of voices seem to emanate from the picture itself! "At open ... sites with paintings, Waller found that echos reverberate on average at a level 8 decibels above the level of the background. At sites without art the average was 3 decibels. In deep caves such as Lascaux and Font-de-Gaume in France, echos in painted chambers produce sound levels of between 23 and 31 decibels. Deep cave walls painted with cats produce sounds from about 1 to 7 decibels. In contrast, surfaces without paint are 'totally flat'." What did the ancient artists have against cats? (Dayton, Leigh; "Rock Art Evokes Beastly Echos of the Past," New Scientist, p. 14, November 28, 1992.) From Science Frontiers #86, MAR-APR 1993 . 1993-2000 William R. Corliss ...
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... Science Frontiers ONLINE No. 121: Jan-Feb 1999 Issue Contents Other pages Home Page Science Frontiers Online All Issues This Issue Sourcebook Project Sourcebook Subjects Problems Of Aboriginal Art In Australia In SF#117, we reproduced some Australian rock art featuring sylph-like, flowing human figures quite unlike today's aborigines. In our more recent library searches, we have come across an old article that provides additional examples of the socalled Bradshaw paintings -- more of those graceful human forms with long, billowing tresses. Very out-ofplace in today's Outback. The same article adds an even more puzzling human representation to the burgeoning file of mysterious Australian art. It is a carving found in a cave of northwestern Australia. Here is the text accompanying the sketch. "Another cave ... Science Frontiers ONLINE No. 121: Jan-Feb 1999 Issue Contents Other pages Home Page Science Frontiers Online All Issues This Issue Sourcebook Project Sourcebook Subjects Problems Of Aboriginal Art In Australia In SF#117, we reproduced some Australian rock art featuring sylph-like, flowing human figures quite unlike today's aborigines. In our more recent library searches, we have come across an old article that provides additional examples of the socalled Bradshaw paintings -- more of those graceful human forms with long, billowing tresses. Very out-ofplace in today's Outback. The same article adds an even more puzzling human representation to the burgeoning file of mysterious Australian art. It is a carving found in a cave of northwestern Australia. Here is the text accompanying the sketch. "Another cave ...
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... Science Frontiers ONLINE No. 117: May-June 1998 Issue Contents Other pages Home Page Science Frontiers Online All Issues This Issue Sourcebook Project Sourcebook Subjects Aliens, Mystery Races, Or Aborigines?Some of Australia's rock art -- the Wandjina paintings -- depicts humanoids in fulllength gowns with strange halos encircling their heads. Those favoring the "ancient astronaut" theory assure us that the Wandjina figures are those of alien visitors! The so-called Bradshaw paintings don't fit in the "alien" category but they are so interesting that we choose to reproduce one here. It raises three problems: (1 ) The slim, flowing human figures remind one more of the Tassili rock art found in Africa's Sahara rather than that of the Australian Aborigines; (2 ... The objects at the left are enigmatic and technical-looking; and (3 ) The symbols (? ) at the top are undeciphered. The article at hand from Antiquity does not attempt to interpret the Bradshaw art. Instead, it discusses the social factors that mold the interpretation of the Wandjina and Bradshaw paintings. When Europeans first saw these paintings they were certain that their "advanced style" was far beyond the capabilities of the Aborigines (colonial prejudice). They must, therefore, be the work of "preAborigines." Today's Aborigines will have none of this condescension. They were the original settlers of Australia, and as such they have bona fide land and title claims. Any recognition of "pre-Aborigines" would undercut these claims. (McNiven, Ian J ...
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... Science Frontiers ONLINE No. 102: Nov-Dec 1995 Issue Contents Other pages Home Page Science Frontiers Online All Issues This Issue Sourcebook Project Sourcebook Subjects Ancient acoustical engineering In SF#86/43*, we reviewed R. Waller's acoustical measurements at ancient rock-art sites in Europe, North America, and Australia. Waller claimed that some rock art was intentionally placed where echos from the walls are not only exceptionally loud but are also qualitatively related to the art's subject matter, such as running hoofed animals. The Newgrange chamber, with acoustical nodes and antinodes. Antinode occur at the chamber's stone walls. In a similar venture, R.G . Jahn et al have taken sound generators and meters into the chambers of six ancient structures and measured their ... properties. The sites selected were: Wayland's Smithy, Chun Quoit, and Cairn Euny, all in the U.K .; Newgrange, and Cairns L and I, Carbane West, all in Ireland. All of these sites date back to about 3,500 BC. The chambers were all bounded by roughly hewn stones, but they had very different configurations. Newgrange was cruciform (see sketch); others were rectangular, beehive, and petalshaped. Quoting the abstract from the Princeton report, here is what the acoustical surveys found: "Rudimentary acoustical measurements performed inside six diverse Neolithic and Iron Age structures revealed that each sustained a strong resonance at a frequency between 95 and 120 Hz (wavelength about 3m). Despite major differences in chamber shapes and sizes, the resonant ...
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... Science Frontiers ONLINE No. 105: May-Jun 1996 Issue Contents Other pages Home Page Science Frontiers Online All Issues This Issue Sourcebook Project Sourcebook Subjects Darwinism in archeology!Archeologists were initially attracted to Pedra Furada, in northeastern Brazil, by the area's rich and colorful rock art, some of which would not be allowed on the Internet! But it is not the rock art that is controversial about Pedra Furada; it is the 595 pieces of quartz selected by French archeologist N. Guidon. These bits of stone closely resemble humancrafted choppers, scrapers, and cutting tools. Indeed, if they had been found in more recent deposits, they would have been judged "man-made" by everyone. The trouble is that Guidon has dated them at 50,000 BP - ... date mainstream archeologists cannot swallow. Any New World dates earlier than 12,000 BP, maybe 20,000 BP for a few daring souls, have to be erroneous. How are the Pedra Furada chipped stones explained by mainstream archeologists? They are "geofacts, not artifacts. They were created when quartzite rocks were released by erosion and fell off cliffs to be smashed upon impact below. Gravity and not the human hand broke the quartz into pieces that just happen to look like prehistoric tools. F. Parenti, a coworker of Guidon, has tried to exorcise the geofact argument, which is used wherever tools are "too old", by showing that the 595 pieces of quartz have characteristics quite unlike those created by natural flaking. The doubters are unswayed. You see, despite Parenti ...
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... and-ring motif in america Typical cup-and-rings from Ireland. Drawing from Ancient Man. The 1988 volume of the Occasional Papers of the Epigraphic Society is at hand. As usual, it is chock full of ancient symbols, motifs, and writings, many of which come from anomalous times and/or places. R.W .B . Morris, an authority on prehistoric rock art, has contributed an article comparing the cup-and-ring motif, as found in Great Britain, with that found in North America. Since this stereotype motif decorates the rocks of all continents, save Antarctica, and since the hey-day of cup-and-ring engraving was 3-5 millennia ago, this unique design suggests the worldwide diffusion of culture thousands of years ... . A cup-and-ring engraving consists of a hollow or cup anywhere from 4 to 30 inches in diameter, surrounded by 1 to 9 rings. The rings may be gapped, with a narrow groove running through the gaps from the outside. (See the illustration,) Cups-and-rings have been found at over 700 sites in Great Britain. Most date between 2200 and 1600 B.C . The cup-and-ring is much rarer in the States. A few are known from Alabama, California, Georgia, Hawaii, Texas, and doubtless other states. In contrast to the British cups-and-rings, the American ones are upgapped, though otherwise indistinguishable. What is the significance of the motif? Of course, no one can say for ...
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... . Giant Circles [MSE8 Geographical Zodiacs] MGK CALENDARS AND ZODIACS Calendar Mosaics Lozenge Calendars Lunar and Solar Notation on Bones and Stones Karanouo Zodiac Mayan and Western Zodiacs Are Alike [MSE Geographical Zodiacs] MGM MAPS Turin Papyrus Vineland Map Stick Maps of Oceania Piri Re'is Map Carthaginian Maps Tibetan Maps of New World Ancient Atlantic Maps, Disappearing Islands Zeno maps Chinese Maps of America, Fusang Claim MGP ROCK ART, PETROGLYPHS, PICTOGRAPHS Tattoos Australian Bradshaw Paintings Paisa Petroglyphs Maze Stone Viking-Boat Tablet in America Chinese Motifs in America [MGS] Lascaux Cave Paintings Australian Rock Art, Strange Figures (Wandjina Drawings) Penguins in Mediterranean Mammoths and Elephants in America Michigan Tablets Rabbit-in-Moon Motif: Its Diffusion Rock Art and Echoes Anubis Cave Art Egypt in America Elephant Slabs Stone Age Art Sophistication ... Sloths Trepanation Yuha Burial Problem Human Hair at the Orogrande Site Pygmy Skeletons Chinese Fossils in Australia Giant Skeletons [BHE] Neanderthal Fossils and Speech Santa Barbara Fossils Taber Skeleton (Canada) Eskimo Fossils in France Blond Mummies in Peru Red-Haired Mummies in Nevada [MAA] Santa Rosa Mammoths and Hearths MAK CULTURE Precocious Number Systems and Mathematics Agriculture and Culture Decline Navigational Techniques Ancient Cosmologies and Astronomy Music, Arts, Literature Measurement Systems Paper-Making Diffusion Olmec Origin (Cultural Evidence) Origin of Culture Human Migration Phenomena Polynesian Origins Early Caucasians in New World Extinctions and Rapid Declines (Mohenjo-Daro, Maya, Minoans, Moundbuilders, etc.) Chinese in the New World Polynesians in New World and Australia Eruption of Thera and the Minoans Ancient Warfare Human Degeneracy [BHA] Cyberculture Red Paint People Ideologies ...
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... wool indicates selective breeding; Similarity of Chinese and Aztec plumagery; Woven cloth in North American mounds; A woven mat encased in salt; The uncertain origin of the image on the Shroud of Turin. Geological artifacts: Megamiddens -- Giant Bronze-Age waste deposits; Fossil food; Unexplained ground disturbances; Apparent metal tool marks on coalified or petrified wood; Fossilized human-like footprints in ancient rocks; Ancient human handprints; Anomalous Hominid-built hearths and fire areas; Metal artifacts: Low-tech metal artifacts; Familiar metal artifacts claimed to have been found embedded in geologically old rocks; Heavily mineralized, familiar metal artifacts not embedded in bedrook; Enigmatic, artificial-appearing metallic objects found in ancient rocks. Pottery artifacts: Pottery that is anomalous in geographical location and/or age ... with human anomalies. Here, we attend to the "other" mammals, and two volumes will be required This, the first, parallels Humans I in focusing on external attributes (1 ) physical appearance; (2 ) behavior; and (3 ) talents and faculties. Typical subjects covered: Mammal-marsupial parallelisms * Zebra stripe reversal * Marching teeth * Lunar effect on activity * Mammalian art and music * Rat and squirrel "kings" * Cetacean mass strandings * Mummified Antarctic seals * Navigation and homing * Soaring and parachuting * Mammalian engineering works * Deep-diving capabilities * Unusual vocalisations * Intelligence overshoot. [Picture caption: A yapok. A South American aquatic marsupial. The female possesses a watertight pouch. Strangely, the male also has a pouch !] View Cart Buy ...
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... Science Frontiers ONLINE No. 123: May-Jun 1999 Issue Contents Other pages Home Page Science Frontiers Online All Issues This Issue Sourcebook Project Sourcebook Subjects Caves As Musical Instruments In past issues of SF, we have reported how some ancient rock art was intentionally painted on rock faces so that echos, as from a handclap, would not only be unusually loud but have some relation to the painting, as in the clatter of hooves. (SF#86) In a similar vein, some manmade chambers, such as New Grange (3 ,500 B.C .) were configured to enhance the subjective effects of ritual chanting. (SF#102) A fascinating article in Pour la Science , has described how ancient paintings in some of Europe's famous decorated caves were placed ... sound resonated. To illustrate, examine the accompanying illustration of the north wall of the Jeannel Gallery of Portel Cave, in Arlege. The long, looping dotted line indicates the amplitude of resonating sound at a frequency of 95 Hertz, as the long gallery behaves like a giant wind instrument. The peak occurs smack in the center of the decorated area. At the peak, in the dotted circle, there is a rocky projection in the shape of a (hard-to-see) feline head. On the opposite wall (not shown), the same peak coincides with an ocher circle that dominates a meter-long decorated panel. (Dauvois, Michael, et al; "Son et Musique au Paleolithique," Pour la Science , p. 52, no. 253, ...
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... Science Frontiers ONLINE No. 153: May - Jun 2004 Other pages Home Page Science Frontiers Online All Issues Last Issue Next Issue Sourcebook Project Sourcebook Subjects Contents Archaeology 5,500-year-old Clusters of Stone Pillars Rock Art and Rock Music Bog Butters Astronomy Parallel Double Meteor Trails Martian Bunnies? Inflation Inflated Biology Genome Fusion in Radically Different Species Animal Fasting in the Wild Nanotubular "Highways" Connect and Trap Cells Geology Hydroplaning in Geology Sand Dunes Invisible at Ground Level Another "Cookie-Cutter" Event Geophysics Will-O -The-Wisps Sicilian Sparks Psychology A Strange Property of Hyperlexia Chemistry The Darwinian Breeding of Nanostructures One "Pathological Science" May Not Be So Sick After All! ...
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... Science Frontiers ONLINE No. 86: Mar-Apr 1993 Other pages Home Page Science Frontiers Online All Issues Last Issue Next Issue Sourcebook Project Sourcebook Subjects Contents Archaeology The acoustics of rock art Where did agriculture really begin? Astronomy Meteoric "dust bunnies" Cosmic snowballs and magnetic asteroids Biology Must we die? the medfly's answer How a fly hears what a cricket hears Once more science fiction predicts the future! Rethinking aids Geology Geysers as detectors of distant earthquakes Precariously balanced rocks as earthquake detectors Geophysics An electrical virtuoso The milky sea a.k .a . "white water" A CURIOUS SIGHTING Cloud plumes natural but still a bit anomalous Logic and Mathematics Math's mystery All roads lead to 123 Psychology Hypnosis and skin temperature Hypnosis and basketball Physics Solar radiation and mental illness ...
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... Science Frontiers ONLINE No. 126: Nov-Dec 1999 Issue Contents Other pages Home Page Science Frontiers Online All Issues This Issue Sourcebook Project Sourcebook Subjects Ancient Stage Design In past issues of SF we have reported on the acoustical properties of rock-art sites (SF#83 and SF#123) and megalithic chambers (SF#102). This ancient recognition and use of the properties of sound to impress gatherings of people is rather remarkable for 4,000-5000 years ago. But we must be even more appreciative of megalithic-age talents when we discover that they also wedded visual effects with acoustical engineering when staging rituals and ceremonies. In effect, they were pioneering the design of auditoriums and church interiors. This marriage of architecture and sound was studied at two megalithic sites ... A. Watson and D. Keating. Since we have previously attended to the acoustics of stone chambers, we will bypass their work on the huge chambered cairn called Camster Round and focus on the recumbent stone circle (RSC) called Easter Aquorthies near Aberdeen, Scotland. That RSCs are not ordinary stone circles is seen in this quotation from the paper by Watson and Keating. "Recumbent stone circles possess a number of characteristic features that have primarily been interpreted in visual or aesthetic terms. For example, their standing stones tend to be graded in height towards the southwest, creating a visual focus for the the large recumbent block itself, which lies between the two tallest stones. The recumbent at Easter Aquorthies is elaborated by two stones which project from its inner face to form an alcove. The ...
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... Science Frontiers ONLINE No. 119: Sep-Oct 1998 Issue Contents Other pages Home Page Science Frontiers Online All Issues This Issue Sourcebook Project Sourcebook Subjects Basalt Synthesis Invented Over 3,000 Years Ago!Basalt is a blackish volcanic rock that is hard and durable. In nature it sometimes occurs in long prisms of hexagonal cross section. In fact, ancient Micronesians quarried multiton basalt prisms to build their fantastic megalithic complex of 92 artificial islets at Nan Madol. (SF#45) The inhabitants of ancient Mesopotamia had no basalt quarries at hand. Indeed, building stone of any kind was exceedingly scarce. What the Mesopotamians of the second century B.C . did have in abundance was alluvial silt. From this unpromising material they were able to make their pottery, writing tablets, and ... objects. However, for grinding grain and engineering structures they needed something harder and stronger. Their innovative solution was: artificial basalt made from silt. They simply melted the silt and let it cool slowly. Sounds simple, but three remarkable intellectual and technical advances were required: The Mesopotamians first had to recognize that silt could be melted. This could not have been obvious in 1000 BC. Next, they had to develop hightemperature (1 ,200 C) smelters that were much larger than those they used for metallurgical purposes. Finally, they had to discover that slow cooling was needed for the growth of large crystals in the cooling melt. (Of course, they had no microscopes to see the crystals. So, it had to have been something learned from experience.) That the ...
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... labors have received a modicum of public notoriety but hardly a flicker of academic interest. One reason for professional disinterest seems to be that grant money for exploring old walls is nonexistent! To bring new readers of SF up to speed on these perplexing California walls, we quote two paragraphs from a recent article by Swanson. "On the crest of the Berkeley hills there is a long line of large rocks, some are three feet in length, they may weigh a half ton. A century ago they ran for miles on these dry, wind-swept crests then down in a line to what is now the botanical gardens." .. .. . "In the past twelve years, I have visited over forty miles of these stone structures. To call them walls is something of ... East Bay hills they discerned line after long line of walls. Then, when the copter passed over Mission Peak toward Mt. Allison, mile upon mile of still walls appeared. Numbed by these new discoveries, Swanson remarked: "I could see years of work just laying there waiting for me." (Swanson, Russell; "The Berkeley Walls and Other Enigmas," Bay Area Rock Art News, 15:7 , June 1997.) Comment. No, the Berkeley walls are not like those piled up by New England farmers and eulogized in Robert Frost's poem. The California walls are said to be pre-Spanish. They certainly don't have any military value. Who knows what they were built for? From Science Frontiers #115, JAN-FEB ...
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... Australia It is relevant in the above context that one of the Bradshaw paintings depicts a boat with upright prow and stern and which is manned by many paddlers. The Bradshaw people obviously were familiar with the sea. No one seems to know when the Brad shaw Culture flourished in Australia or where it came from. It disappeared suddenly, leaving behind perhaps 100,000 Bradshaw "art galleries" decorating rock overhangs along Australian rivers. (Ref. 2) References Ref. 1. Cardich, Augusto; "The First Americans: Were They Australians?" The Mammoth Trumpet, 16:4 , March 2001. Cr. C. Davant. Ref. 2. Coukell, Allan; "Spellbound," New Scientist, p. 34, May 19, 2001. Comments. We have ... (Ref. 1) Cave paintings. At Los Toldos and especially another Patagonian site called Estancia La Maria, there is distinctive artwork virtually identical to some from Australia. Specifically, this artwork consists of "hand negatives" (silhouettes of the artists' hands) and spiral and circular drawings composed of little spots. (Ref. 1) Additionally, a remarkable and entirely distinct form of Australian art -- the famous Bradshaw paintings -- are strangely echoed in the artwork of the Paracus Culture of Peru. (Ref. 2) Two curiously adorned flowing figures from a Bradshaw gallery, Australia It is relevant in the above context that one of the Bradshaw paintings depicts a boat with upright prow and stern and which is manned by many paddlers. The Bradshaw people obviously were familiar with the ...
Terms matched: 2  -  Score: 191  -  15 May 2017  -  URL: /sf136/sf136p01.htm
... "The view that man did not arrive on the American continent before the last glaciation has been supported by the fact that until now the known and dated archaeological sites have not been of very great antiquity. But now we report radiocarbon dates from a Brazilian site which establish that early man was living in South America at least 32,000 years ago. These new findings come from the large painted rock shelter of Boqueirao do Sitio da Pedra Furada, the walls and ceiling of which are decorated with a rich set of prehistoric paintings. We have excavated a sequence containing abundant lithic industry and well-structured hearths at all levels. Carbon-14 dates from charcoal establish a continuous chronology indicating human occupation from 6,160 130 to 32, 160 100 years BP. A date of 17, ... 400 BP, obtained from charcoal found in a level with fragments of a pictograph fallen from the walls, testifies to the antiquity of rupestral art in the region of Brazil." (Guidon, N., and Delibrias, G.; "Carbon-14 Dates Point to Man in the Americas 32,000 Years Ago," Nature, 321: 769, 1986.) Comment. The Nature article just abstracted and other reports of the Brazilian discovery do not mention or discount the considerable evidence for very ancient man in North America. The dogma that man entered North AMerica about 12,000 years ago across the Bering Strait has dominated archeology so forcibly that such contrary evidence has been largely suppressed. From Science Frontiers #47, SEP-OCT 1986 . 1986-2000 William R ...
Terms matched: 2  -  Score: 177  -  15 May 2017  -  URL: /sf047/sf047p02.htm

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