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No. 102: Nov-Dec 1995

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Ancient acoustical engineering

In SF#86/43*, we reviewed R. Waller's acoustical measurements at ancient rock-art sites in Europe, North America, and Australia. Waller claimed that some rock art was intentionally placed where echos from the walls are not only exceptionally loud but are also qualitatively related to the art's subject matter, such as running hoofed animals.

The Newgrange chamber, with acoustical nodes and antinodes
The Newgrange chamber, with acoustical nodes and antinodes. Antinode occur at the chamber's stone walls.
In a similar venture, R.G. Jahn et al have taken sound generators and meters into the chambers of six ancient structures and measured their acoustical properties. The sites selected were: Wayland's Smithy, Chun Quoit, and Cairn Euny, all in the U.K.; Newgrange, and Cairns L and I, Carbane West, all in Ireland. All of these sites date back to about 3,500 BC. The chambers were all bounded by roughly hewn stones, but they had very different configurations. Newgrange was cruciform (see sketch); others were rectangular, beehive, and petalshaped. Quoting the abstract from the Princeton report, here is what the acoustical surveys found:

"Rudimentary acoustical measurements performed inside six diverse Neolithic and Iron Age structures revealed that each sustained a strong resonance at a frequency between 95 and 120 Hz (wavelength about 3m). Despite major differences in chamber shapes and sizes, the resonant modal patterns all featured strong antinodes at the outer walls, with appropriately configured nodes and antinodes interspersed toward the central source. In some cases, internal and exterior rock drawings resembled these acoustical patterns. Since the resonant frequencies are well within the adult male voice range, one may speculate that some forms of human chanting, enhanced by the cavity resonance, were invoked for ritual purpose."

In a few cases, it appeared that some of the standing stones had beeen intentionally positioned to enhance the chamber's acoustical properties. (Jahn, Robert G., et al; "Acoustical Resonances of Assorted Ancient Structures," Technical Report PEAR 95002, Princeton University, March 1995. Devereux, Paul, et al; "Acoustical Properties of Ancient Ceremonial Sites," Journal of Scientific Exploration, 9:438, 1995.)

Comment. Apparently, humans living over 5,000 years ago were rather sophisticated in their ability to manipulate sound to impress audiences. This talent has not been lost; for example, rock music!

*We will cross-reference SF items with both issue number (#00) and page number (/00) in the book Science Frontiers, which collects the first 86 issues of SF. For orders of the latter, see: here.

From Science Frontiers #102 Nov-Dec 1995. 1995-2000 William R. Corliss

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  • "A sourcebook of unexplained phenomena is therefore a valuable addition to a collection of scientific literature. William R. Corliss has provided this in the past with his source books of scientific anomalies in several subjects, and now he has provided it for astronomy. He has done an excellent job of collecting and editing a large amount of material, taken in part from scientific journals and in part from scientific reporting in the popular or semi-scientific press." -- "The Mysterious Universe: A Handbook of Astronomical Anomalies", reviwed by Thomas Gold, Cornell University, in Icarus, vol.41, 1980

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  • "Before opening the book, I set certain standards that a volume which treads into dangerous grounds grounds like this must meet. The author scrupulously met, or even exceeded those standards. Each phenomenon is exhaustively documented, with references to scientific journals [..] and extensive quotations" -- "Book Review: The moon and planets: a catalog of astronomical anomalies", The Sourcebook Project, 1985., Corliss, W. R., Journal of the Royal Astronomical Society of Canada, Vol. 81, no. 1 (1987), p. 24., 02/1987